Maṅgala
śrīveṅkaṭādrinilayaḥ kamalākāmukaḥ pumān | abhaṅgura vibhūtir nastaraṅgayatu maṅgalam
May he who dwells on Veṅkaṭādri, the lover of Kamalā, the Puruṣa of unbreaking glory, swell auspiciousness for us.

Śrīraṅga Sūri · Ānanta Sūri vamsa
A prose hymn to the Lord of the Hill, composed by Śrīraṅga Sūri of Ananthalvan’s line. The twenty-eighth cūrṇikā is the crowbar on the chin.
This is not Ramanuja’s Gadyatraya. Those three gadyams — Śaraṇāgati, Śrīranga, Vaikuṇṭha — are the Acharya’s, spoken at Srirangam on Panguni Uttiram. They are not printed here.
The colophon of this gadyam names its author: Śrīraṅga Sūri, of Śrīśaila Ānanta Sūri’s line — śrīśailānantasurivaṃśyena. The 1882 mahima of Ananthalvan is signed Sri U.Ve. Mahavidvan Thirumalai Ananthanpillai Purasai Srirangachariyar Swami, chief sthala-ācārya of the Tirumala Tirupati Devasthanam. The name and the line are the same.
The Sanskrit is printed as in the Telugu Veṅkaṭeśa Kāvyakalāpa, encoded by Malleswara Rao Yellapragada for sanskritdocuments.org. English is a plain reading of the same recitation. Cūrṇikā 5 names the tank filled by Anantārya’s spring. Cūrṇikā 28 names the scar on the Lord’s chin, made an ornament by the blow of Ārya-dhurya Anantārya’s sacred crowbar.
Maṅgala
śrīveṅkaṭādrinilayaḥ kamalākāmukaḥ pumān | abhaṅgura vibhūtir nastaraṅgayatu maṅgalam
May he who dwells on Veṅkaṭādri, the lover of Kamalā, the Puruṣa of unbreaking glory, swell auspiciousness for us.
Cūrṇikā 1
śrīmadakhila mahīmaṇḍala maṇḍana dharaṇidhara maṇḍalākhaṇḍalasya
Of him who is Indra of the circle of earth-bearing mountains that adorn the entire earth-maṇḍala.
Cūrṇikā 2
nikhila surāsura vandita varāha kṣetra vibhūṣaṇasya
Of him who is the ornament of Varāha-kṣetra, worshipped by all gods and asuras.
Cūrṇikā 3
śeṣācala garuḍācala vṛṣabhācala nārāyaṇācalāñjanācalādi śikhari mālākulasya
Of him whose hill-range is Śeṣācala, Garuḍācala, Vṛṣabhācala, Nārāyaṇācala, Añjanācala and the rest.
Cūrṇikā 4
nāthamukha bodhanidhi vīthiguṇa sābharaṇa sattvanidhi tattvanidhi bhaktiguṇapūrṇa śrīśaila pūrṇaguṇavaśaṃvada paramapuruṣa kṛpāpūra vibhramadatuṅgaśṛṅga galadgagana gaṅgāsamāliṅgitasya
Of him whose towering peak — made to dance by the flood of the Paramapuruṣa’s grace, a grace that has Śrīśailapūrṇa (Periya Tirumalai Nambi), treasury of sattva and tattva, full of bhakti-guṇa, adorning the line that begins with Nātha and Bodhanidhi — is embraced by the Gaṅgā falling from the sky.
Cūrṇikā 5
sīmātigaguṇa rāmānuja muni nāmāṅkita bahubhūmāśraya suradhāmā layavanarāmā yatavanasīmā parivṛta viśaṅkaṭataṭa nirantara vijṛmbhita bhaktirasa nirjharānantāryāhārya prasravaṇa dhārāpūra vibhramada salilabhara bharita mahā taṭākamaṇḍitasya
Of him whose great tank is filled by the cascade of the spring that is Anantārya’s — the irresistible prasravaṇa of bhakti-rasa that plays without break on the steep banks, bounded by forest-borders, a divine grove-abode, marked with the name of Rāmānuja-muni of boundless virtues, asylum of many worlds.
Cūrṇikā 6
kalikardamamalamardana kalitodyama vilasadyamaniyamādima munigaṇa niṣevyamāṇa pratyakṣībhavannijasalila samajjananamajjana nikhila pāpanāśana pāpanāśana tīrthādhyāsitasya
Of him whose hill is seated with Pāpanāśana tīrtha — whose own waters appear in sight, served by the first munis shining in yama and niyama, whose bathing destroys the mire of Kali and all sin.
Cūrṇikā 7
murāri sevaka jarādhipīḍita nirārtijīvana nirāśabhūsura varātisundara surāṅganā ratikarāṅga sauṣṭhava kumāratākṛti kumāratāraka samāpanodaya damānapātaka mahāpadāmaya vihāpanodita sakala bhuvana vidita kumāradhārābhidhāna tīrthādhiṣṭhitasya
Of him whose hill is presided over by the tīrtha named Kumāradhārā, famed in all the worlds — restorer of the aged servants of Murāri, beauty beyond the apsaras, taking the form of youth, ending the Tāraka of youth’s decay, driving off great calamity and disease.
Cūrṇikā 8
dharaṇi talagata sakalahata kalilaśubha salilagata bahulavividha malahati catura ruciratara vilokamātravidalita vividha mahāpātaka svāmipuṣkariṇī sametasya
Of him who is joined to Svāmi Puṣkariṇī — whose waters, skilled at striking every stain of the earth, split asunder great sins at a mere glance.
Cūrṇikā 9
bahusaṅkaṭa narakāvaṭa patadutkaṭa kalikaṅkaṭa kaluṣodbhaṭa janapātaka vinipātaka rucināṭaka karahāṭaka kalaśāhṛta kamalārata śubhamajjana jalasajjana bharita nijadurita hatinirata janasatata nirargalapeyīyamāna salila sambhṛta viśaṅkaṭa kaṭāhatīrtha bhūṣitasya
Of him who is adorned by the vast Kaṭāha tīrtha — filled with water drunk without hindrance by those intent on destroying their own sins, a golden play of beauty that strikes down the sins of men stained by Kali, fallen into the pits of many hells.
Cūrṇikā 10
evamādima bhurimañjima sarvapātaka garvahāpaka sindhuḍambara hāriśambara vividhavipula puṇyatīrtha nivaha nivāsasya
Of him who dwells among such a host of wide, various, holy tīrthas — first and most lovely, stealers of the pride of every sin, oceans of splendour.
Cūrṇikā 11
śrī veṅkaṭācalasya
Of Śrī Veṅkaṭācala.
Cūrṇikā 12
śikharaśekhara mahākalpa śākhī
He is the great wish-tree, whose crest is the peak.
Cūrṇikā 13
kharvībhavadatigarvi kṛtagurumerviśa girimukhorvīdharakuladarvīkara dayitorvī dharaśikharorvī satata sadurvī kṛticaṇanavaghanagarvacarvaṇanipuṇa tanukiraṇa masṛṇita giriśikharaśekhara tarunikara timiraḥ
The darkness of the groves on the mountain-crest is smoothed by his fine rays — rays skilled at chewing the pride of fresh heavy clouds, always doing good to the earth of the peak, beloved of the earth-bearer, of the snake-lords of the mountain-clans, before whom even great Meru is made small.
Cūrṇikā 14
vāṇīpati śarvāṇīdayitendrāṇīśvaramukhanāṇīyo rasaveṇī nibha śubhavāṇī nutamahimāṇī yas tarakoṇī bhavadakhilabhuvana bhavanodaraḥ
He whose glory is praised in auspicious speech like a stream of rasa by Brahmā, by the lord of Śarvāṇī, by Indra and the rest — he whose belly is the dwelling of all the worlds, a corner of a star to them.
Cūrṇikā 15
vaimānika gurubhūmādhika guṇa rāmānuja kṛtadhāmākara karadhāmāridara lalāmāccha kanaka dāmāyita nijarāmālayanavakisalayamaya toraṇa mālāyitavanamālādharaḥ
Wearer of the vanamālā, a garland of toranas of the fresh shoots of his own lotus-abode, a golden chain, a bright mark, a mine of radiance made a home by Rāmānuja of qualities greater than the gurus of the gods.
Cūrṇikā 16
kālāmbuda mālānibha nīlālaka jālāvṛta bālābja salīlāmalaphālāṅka samūlāmṛta dhārādvayāvadhīraṇa dhīralalitatara viśadatara ghana ghanasāramayordhvapuṇḍra rekhādvayaruciraḥ
Lovely with the two lines of ūrdhvapuṇḍra of dense camphor — clearer, more tender, more steadfast — mocking the two nectar-streams at the root of the playful, spotless mark on the young-lotus brow, netted in dark locks like a row of rain-clouds.
Cūrṇikā 17
suvikasvaradalabhāsvarakamalodaragatameduranavakesaratatibhāsuraparipiñjara kanakāmbarakalitādaralalitodaratadālamba jambharipumaṇistambha gambhīrimadambhastambhana samujjṛmbhamāṇapīvaroruyugala tadālambapṛthulakadalīmukulamadaharaṇajaṅghālajaṅghāyugalaḥ
Whose pair of shanks steal the pride of thick plantain-buds hanging from a pair of swelling thighs that rise to still the depth-pride of Indra’s jewel-pillars, hanging from a tender belly clad in tawny gold cloth, shining with the fresh kesara-rows in the opened lotus.
Cūrṇikā 18
navyadala bhavyakala pītamala śoṇimala sanmṛdula satkisalayāśrujalakāri balaśoṇatala patkamalanijāśraya balabandīkṛta śaradindumaṇḍalī vibhramadādabhraśubhra punarbhavādhiṣṭhitāṅgulī gāḍhanipīḍita padmāsanaḥ
Whose lotus-seat is pressed hard by toes seated on Brahmā — white, wide, playing like the autumn-moon’s circle, made captive by the force of the lotus-feet, red as young shoots that put to shame yellow and crimson and the water of tender sprouts.
Cūrṇikā 19
jānutalāvadhilambhiviḍambita vāraṇaśuṇḍā daṇḍavijṛmbhita nīlamaṇimaya kalpakaśākhā vibhramadāyi mṛṇālalatāyata samujjvalatara kanaka valayavellitaikatara bāhudaṇḍayugalaḥ
Whose two arm-staves, one waving with gold bracelets, long as lotus-stalks, play as wish-tree branches of blue gem, stretched like an elephant’s trunk hanging to the knee.
Cūrṇikā 20
yugapadudita koṭikharakara himakara maṇḍala jājjvalyamāna sudarśana pāñcajanya samuttuṅgita śṛṅgāparabāhuyugalaḥ
Whose other pair of arms raise Sudarśana and Pāñcajanya, blazing like a crore of sun-orbs and moon-orbs risen at once.
Cūrṇikā 21
abhinavaśāṇā samuttejita mahāmahānīlakhaṇḍa madakhaṇḍananipuṇa navīna paritapta kārtasvarakavacita mahanīya pṛthulasālagrāma paramparāgumphita nābhimaṇḍalaparyanta lambamānaprālambadīpti samālambita viśālavakṣasthalaḥ
Whose broad chest is taken by the light of a pendant hanging to the navel-circle, strung of great wide śālagrāmas armoured in freshly heated gold, skilled at breaking the pride of a great sapphire-shard honed on a new whetstone.
Cūrṇikā 22
gaṅgājharatuṅgākṛtibhaṅgāvalibhaṅgāvaha saudhāvali bāvaha dhārānibha hārāvali dūrāhata gehāntaramohāvaha mahima masṛṇita mahātimiraḥ
Whose great darkness is smoothed by a glory that bewilders the inner rooms from far off — a row of necklaces like a stream of plastered mansions, a row of waves high as the Gaṅgā’s fall.
Cūrṇikā 23
piṅgākṛtibhṛṅgārunibhāṅgāra dalāṅgāmala niṣkāsita duṣkāryagha niṣkāvali dīpaprabha nīpacchavi tāpaprada kanakamālikā piśaṅgitasarvāṅgaḥ
Whose whole body is tawny with a gold mālika that burns with kadamba-light, a row of niṣkas whose lamp-glow drives out the stain of ill deeds, red as a bee of tawny form, pure as a flame-petal.
Cūrṇikā 24
navadalita dalavalita mṛdulalita kamalatati madavihati caturatara pṛthulatara sarasatara kanakasara mayarucira kaṇṭhikā kamanīyakaṇṭhaḥ
Whose lovely throat wears a kaṇṭhikā of gold-chains, wider, more sap-filled, more skilled at striking the pride of a row of lotuses with newly opened, folded, tender petals.
Cūrṇikā 25
vātāśanādhipatiśayana kamanaparicaraṇa ratisametākhila phaṇadharatati matikara kanakamaya nāgābharaṇa parivītākhilāṅgāvagamita śayana bhūtāhirāja jātātiśayaḥ
Whose exceeding is born of the serpent-king who has become his bed — all his limbs wound in gold nāga-ornaments, made by the thought of the whole host of hooded ones who take delight in serving the beloved of him who lies as lord of the wind-eater (Agni’s foe — the serpent-bed).
Cūrṇikā 26
ravikoṭī paripāṭī dharakoṭira varāṭīkitavāṭi rasadhāṭi dharamaṇigaṇa kiraṇa visaraṇa satatavidhuta timiramohagarbhagehaḥ
Whose inner house of dark delusion is always shaken off by the spreading rays of the host of gems that bear a flood of rasa, a market of excellent crowns in a line of a crore of suns.
Cūrṇikā 27
aparimita vividhabhuvanabharitākhaṇḍa brahmāṇḍamaṇḍala picaṇḍilaḥ
Whose belly is the undivided Brahmāṇḍa-maṇḍala, filled with countless various worlds.
Cūrṇikā 28
āryadhuryānantārya pavitrakhanitrapāta pātrīkṛta nijacubukagata vraṇakiṇa vibhūṣaṇavahana sūcitaśrita janavatsalatātiśayaḥ
Whose exceeding vātsalya for those who take shelter is announced by the wearing, as an ornament, of the scar on his own chin — made a vessel of honour by the blow of the sacred crowbar of Ārya-dhurya Anantārya.
Cūrṇikā 29
maḍḍu ḍiṇḍima ḍamaru jharjhara kāhalī paṭahāvalī mṛdumardalāli mṛdaṅga dundubhi ḍhakkikāmukha hṛdyavādyaka madhuramaṅgala nādamedura visṛmara sarasagāna rasarucira santatasantanyamāna nityotsava pakṣotsava māsotsava saṃvatsarotsavādi vividhotsava kṛtānandaḥ
Whose bliss is made by the various utsavas — daily, fortnightly, monthly, yearly — always being stretched out, lovely with the rasa of spreading song, thick with the sweet auspicious sound of maḍḍu, ḍiṇḍima, ḍamaru, jharjhara, kāhalī, rows of paṭaha, soft mardala, mṛdaṅga, dundubhi, ḍhakkā and the rest of the heart-pleasing drums.
Cūrṇikā 30
śrīmadānandanilayavimānavāsaḥ
Dweller in the vimāna of the blessed Ānanda Nilaya.
Cūrṇikā 31
satatapadmālayā padapadmareṇusañcita vakṣassthalapaṭavāsaḥ
Whose chest-cloth is always heaped with the lotus-dust of Padmālayā’s feet.
Cūrṇikā 32
śrīśrīnivāsaḥ suprasanno vijayatām
May blessed Śrīnivāsa, well-pleased, be victorious.
Colophon
śrīraṅgasūriṇedaṃ śrīśailānantasurivaṃśyena | bhaktyā racitaṃ hṛdyam gadyam gṛhṇātu veṅkaṭeśānaḥ ||
This heart-delighting gadyam, composed with devotion by Śrīraṅga Sūri, descendant of Śrīśaila Ānanta Sūri — may Veṅkaṭeśa accept it.